DON QUIXOTE

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London edition of 1738, commonly called Lord Carteret's from having been
suggested by him, was not a mere edition de luxe. It produced "Don
Quixote" in becoming form as regards paper and type, and embellished with
plates which, if not particularly happy as illustrations, were at least
well intentioned and well executed, but it also aimed at correctness of
text, a matter to which nobody except the editors of the Valencia and
Brussels editions had given even a passing thought; and for a first
attempt it was fairly successful, for though some of its emendations are
inadmissible, a good many of them have been adopted by all subsequent
editors.

The zeal of publishers, editors, and annotators brought about a
remarkable change of sentiment with regard to "Don Quixote." A vast
number of its admirers began to grow ashamed of laughing over it. It
became almost a crime to treat it as a humorous book. The humour was not
entirely denied, but, according to the new view, it was rated as an
altogether secondary quality, a mere accessory, nothing more than the