DON QUIXOTE

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stalking-horse under the presentation of which Cervantes shot his
philosophy or his satire, or whatever it was he meant to shoot; for on
this point opinions varied. All were agreed, however, that the object he
aimed at was not the books of chivalry. He said emphatically in the
preface to the First Part and in the last sentence of the Second, that he
had no other object in view than to discredit these books, and this, to
advanced criticism, made it clear that his object must have been
something else.

One theory was that the book was a kind of allegory, setting forth the
eternal struggle between the ideal and the real, between the spirit of
poetry and the spirit of prose; and perhaps German philosophy never
evolved a more ungainly or unlikely camel out of the depths of its inner
consciousness. Something of the antagonism, no doubt, is to be found in
"Don Quixote," because it is to be found everywhere in life, and
Cervantes drew from life. It is difficult to imagine a community in which
the never-ceasing game of cross-purposes between Sancho Panza and Don