the vein of farce that runs through it. It was the attack upon the sheep,
the battle with the wine-skins, Mambrino's helmet, the balsam of
Fierabras, Don Quixote knocked over by the sails of the windmill, Sancho
tossed in the blanket, the mishaps and misadventures of master and man,
that were originally the great attraction, and perhaps are so still to
some extent with the majority of readers. It is plain that "Don Quixote"
was generally regarded at first, and indeed in Spain for a long time, as
little more than a queer droll book, full of laughable incidents and
absurd situations, very amusing, but not entitled to much consideration
or care. All the editions printed in Spain from 1637 to 1771, when the
famous printer Ibarra took it up, were mere trade editions, badly and
carelessly printed on vile paper and got up in the style of chap-books
intended only for popular use, with, in most instances, uncouth
illustrations and clap-trap additions by the publisher.
To England belongs the credit of having been the first country to
recognise the right of "Don Quixote" to better treatment than this. The
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