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The Count of Monte Cristo

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similar to her own, or those of her companions. The Count of San-Felice
pointed out Teresa, who was hanging on Luigi's arm in a group of
peasants. 'Will you allow me, father?' said Carmela.--'Certainly,'
replied the count, 'are we not in Carnival time?'--Carmela turned
towards the young man who was talking with her, and saying a few words
to him, pointed with her finger to Teresa. The young man looked, bowed
in obedience, and then went to Teresa, and invited her to dance in a
quadrille directed by the count's daughter. Teresa felt a flush pass
over her face; she looked at Luigi, who could not refuse his assent.
Luigi slowly relinquished Teresa's arm, which he had held beneath his
own, and Teresa, accompanied by her elegant cavalier, took her appointed
place with much agitation in the aristocratic quadrille. Certainly, in
the eyes of an artist, the exact and strict costume of Teresa had a very
different character from that of Carmela and her companions; and Teresa
was frivolous and coquettish, and thus the embroidery and muslins, the
cashmere waist-girdles, all dazzled her, and the reflection of sapphires
and diamonds almost turned her giddy brain.
            
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