seen Chateau-Renaud, who had promised to be in the orchestra before the curtain was raised. Both got into Albert's coupe; and, as the young man had no reason to conceal where he was going, he called aloud, "To the opera." In his impatience he arrived before the beginning of the performance. Chateau-Renaud was at his post; apprised by Beauchamp of the circumstances, he required no explanation from Albert. The conduct of the son in seeking to avenge his father was so natural that Chateau-Renaud did not seek to dissuade him, and was content with renewing his assurances of devotion. Debray was not yet come, but Albert knew that he seldom lost a scene at the opera. Albert wandered about the theatre until the curtain was drawn up. He hoped to meet with M. de Monte Cristo either in the lobby or on the stairs. The bell summoned him to his seat, and he entered the orchestra with Chateau-Renaud and Beauchamp. But his eyes scarcely quitted the box between the columns, which remained obstinately closed during the whole of the first act. At
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