sections of the community. Men of wit, taste, and discrimination among
the aristocracy gave it a hearty welcome, but the aristocracy in general
were not likely to relish a book that turned their favourite reading into
ridicule and laughed at so many of their favourite ideas. The dramatists
who gathered round Lope as their leader regarded Cervantes as their
common enemy, and it is plain that he was equally obnoxious to the other
clique, the culto poets who had Gongora for their chief. Navarrete, who
knew nothing of the letter above mentioned, tries hard to show that the
relations between Cervantes and Lope were of a very friendly sort, as
indeed they were until "Don Quixote" was written. Cervantes, indeed, to
the last generously and manfully declared his admiration of Lope's
powers, his unfailing invention, and his marvellous fertility; but in the
preface of the First Part of "Don Quixote" and in the verses of "Urganda
the Unknown," and one or two other places, there are, if we read between
the lines, sly hits at Lope's vanities and affectations that argue no
personal good-will; and Lope openly sneers at "Don Quixote" and
Cervantes, and fourteen years after his death gives him only a few lines
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