DON QUIXOTE

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Swift), and this may have been strengthened by Pope's remark that he
"translated 'Don Quixote' without understanding Spanish." He has been
also charged with borrowing from Shelton, whom he disparaged. It is true
that in a few difficult or obscure passages he has followed Shelton, and
gone astray with him; but for one case of this sort, there are fifty
where he is right and Shelton wrong. As for Pope's dictum, anyone who
examines Jervas's version carefully, side by side with the original, will
see that he was a sound Spanish scholar, incomparably a better one than
Shelton, except perhaps in mere colloquial Spanish. He was, in fact, an
honest, faithful, and painstaking translator, and he has left a version
which, whatever its shortcomings may be, is singularly free from errors
and mistranslations.

The charge against it is that it is stiff, dry--"wooden" in a word,-and
no one can deny that there is a foundation for it. But it may be pleaded
for Jervas that a good deal of this rigidity is due to his abhorrence of
the light, flippant, jocose style of his predecessors. He was one of the