entered Jerusalem with the cross and won the Holy Sepulchre, like Godfrey
of Bouillon, there being years innumerable between the one and the other?
or, if the play is based on fiction and historical facts are introduced,
or bits of what occurred to different people and at different times mixed
up with it, all, not only without any semblance of probability, but with
obvious errors that from every point of view are inexcusable? And the
worst of it is, there are ignorant people who say that this is
perfection, and that anything beyond this is affected refinement. And
then if we turn to sacred dramas--what miracles they invent in them! What
apocryphal, ill-devised incidents, attributing to one saint the miracles
of another! And even in secular plays they venture to introduce miracles
without any reason or object except that they think some such miracle, or
transformation as they call it, will come in well to astonish stupid
people and draw them to the play. All this tends to the prejudice of the
truth and the corruption of history, nay more, to the reproach of the
wits of Spain; for foreigners who scrupulously observe the laws of the
drama look upon us as barbarous and ignorant, when they see the absurdity
Page annotations:
Add a page annotation: