false taste, I have read the beginnings of almost all that have been
printed, I never could manage to read any one of them from beginning to
end; for it seems to me they are all more or less the same thing; and one
has nothing more in it than another; this no more than that. And in my
opinion this sort of writing and composition is of the same species as
the fables they call the Milesian, nonsensical tales that aim solely at
giving amusement and not instruction, exactly the opposite of the
apologue fables which amuse and instruct at the same time. And though it
may be the chief object of such books to amuse, I do not know how they
can succeed, when they are so full of such monstrous nonsense. For the
enjoyment the mind feels must come from the beauty and harmony which it
perceives or contemplates in the things that the eye or the imagination
brings before it; and nothing that has any ugliness or disproportion
about it can give any pleasure. What beauty, then, or what proportion of
the parts to the whole, or of the whole to the parts, can there be in a
book or fable where a lad of sixteen cuts down a giant as tall as a tower
and makes two halves of him as if he was an almond cake? And when they
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