Moby Dick

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and three or four delicate miniatures of narwhales and porpoises, treats
us to a series of classical engravings of boat hooks, chopping knives,
and grapnels; and with the microscopic diligence of a Leuwenhoeck
submits to the inspection of a shivering world ninety-six fac-similes of
magnified Arctic snow crystals. I mean no disparagement to the excellent
voyager (I honour him for a veteran), but in so important a matter it
was certainly an oversight not to have procured for every crystal a
sworn affidavit taken before a Greenland Justice of the Peace.

In addition to those fine engravings from Garnery, there are two other
French engravings worthy of note, by some one who subscribes himself
"H. Durand." One of them, though not precisely adapted to our present
purpose, nevertheless deserves mention on other accounts. It is a quiet
noon-scene among the isles of the Pacific; a French whaler anchored,
inshore, in a calm, and lazily taking water on board; the loosened sails
of the ship, and the long leaves of the palms in the background, both
drooping together in the breezeless air. The effect is very fine, when