Moby Dick

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the bulwarks of some condemned old craft. On one side hung a very large
oilpainting so thoroughly besmoked, and every way defaced, that in the
unequal crosslights by which you viewed it, it was only by diligent
study and a series of systematic visits to it, and careful inquiry of
the neighbors, that you could any way arrive at an understanding of its
purpose. Such unaccountable masses of shades and shadows, that at first
you almost thought some ambitious young artist, in the time of the New
England hags, had endeavored to delineate chaos bewitched. But by dint
of much and earnest contemplation, and oft repeated ponderings, and
especially by throwing open the little window towards the back of the
entry, you at last come to the conclusion that such an idea, however
wild, might not be altogether unwarranted.

But what most puzzled and confounded you was a long, limber, portentous,
black mass of something hovering in the centre of the picture over three
blue, dim, perpendicular lines floating in a nameless yeast. A boggy,
soggy, squitchy picture truly, enough to drive a nervous man distracted.