Moby Dick

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Or what is there apart from the traditions of dungeoned warriors and
kings (which will not wholly account for it) that makes the White
Tower of London tell so much more strongly on the imagination of
an untravelled American, than those other storied structures, its
neighbors--the Byward Tower, or even the Bloody? And those sublimer
towers, the White Mountains of New Hampshire, whence, in peculiar moods,
comes that gigantic ghostliness over the soul at the bare mention of
that name, while the thought of Virginia's Blue Ridge is full of a soft,
dewy, distant dreaminess? Or why, irrespective of all latitudes and
longitudes, does the name of the White Sea exert such a spectralness
over the fancy, while that of the Yellow Sea lulls us with mortal
thoughts of long lacquered mild afternoons on the waves, followed by
the gaudiest and yet sleepiest of sunsets? Or, to choose a wholly
unsubstantial instance, purely addressed to the fancy, why, in reading
the old fairy tales of Central Europe, does "the tall pale man" of the
Hartz forests, whose changeless pallor unrustlingly glides through the
green of the groves--why is this phantom more terrible than all the