process of change--not a knocker, but Marley's face.
Marley's face. It was not in impenetrable shadow
as the other objects in the yard were, but had a
dismal light about it, like a bad lobster in a dark
cellar. It was not angry or ferocious, but looked
at Scrooge as Marley used to look: with ghostly
spectacles turned up on its ghostly forehead. The
hair was curiously stirred, as if by breath or hot air;
and, though the eyes were wide open, they were perfectly
motionless. That, and its livid colour, made it
horrible; but its horror seemed to be in spite of the
face and beyond its control, rather than a part of
its own expression.
As Scrooge looked fixedly at this phenomenon, it
was a knocker again.
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